A terrified three-year-old boy is found clinging to a wire fence at the side of a country road. His mother had whispered to him to never let go, then she vanished. The only clue found by authorities as to the child’s identity is a photograph of two summering teenage girls and a letter presumably written from one to the other.
Sixteen years later, Walker Devereaux is in Toronto to discover the truth about his biological mother, of whom he has a dim memory. Working as an after-hours cabdriver, Walker befriends Krista, a demanding, pretty, wheelchair-bound night dispatcher. Krista and Walker become fast friends, and she can’t help but involve herself with Walker’s quest to understand his shrouded identity. Soon enough, though, their off-hours sleuthing turns perilous. Walker and Krista’s wooded countryside veers this duo ever closer to that of another abandoned boy who has transformed himself into the embodiment of his own desperate, violent, and sinister pathologies.
James W. Nichol's novelized adaptation of his popular CBC radio series suffers here, despite Scott Brick's efforts to animate the slow pace and often maudlin text. And Brick has no easy task, considering that he must supply a huge amount of back story to what was once a witty, fast-moving piece of audio theater. When the text descends into characters' often distraught psyches, this thriller about a warped Canadian dynasty becomes an unbearable soap opera, as Brick lays on the emotion in an effort to be true to the writing. Listeners are recommended to listen to the original "Midnight Cab" for a markedly improved experience. D.J.B. (c) AudioFile 2005, Portland, Maine
-Globe and Mail (Toronto)...
“Nichol’s elegantly simple and taut prose becomes addictive.”
About the Author
James W. Nichol has been a prominent playwright in Canada since 1970. Midnight Cab, his first novel, was inspired by his immensely popular radio drama of the same name broadcast on the Canadian Broadcasting Corporation.
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